Published works:
–Avec Marie. Bergmann Edition Copenhagen
–Caged Music I. Bergmann Edition Copenhagen
–Caged Music II. Bergmann Edition Copenhagen
–Caged Music II (Violin and piano version). International Ekmelic Music SocietyEdition
–Caged Music III. Bergmann Edition Copenhagen
–Caged Music IV. Bergmann Edition Copenhagen
–Chakrale Landschaft mit Herz. Da Vinci Edition Osaka
-El Silencio que mata. Bergmann Edition Copenhagen
–Es war einmal. International Ekmelic Music Society Edition
–Etimología del Diálogo. Da Vinci Edition Osaka
– Five O´clock. Doblinger Verlag Vienna
–Geminiden. Bergmann Edition Copenhagen
–Geminiden. In The 2020 Anthology. Bergmann Edition Copenhagen
–Harmless IV. Bergmann Edition Copenhagen
–Hex. Bergmann Edition Copenhagen
–Hurrian Song. Verlag Neue Musik Berlin
–Justos Weg. Da Vinci Edition Osaka
–La Malinche. Bergmann Edition Copenhagen
–Laura´s Song. Doblinger Verlag Vienna
–Once. Bergmann Edition Copenhagen
–Perseiden. Nights Transfigured, Volume I. ALC Music Publishing Boston
–Picassienne. Doblinger Verlag Vienna
–Preludio y Postludio. Bergmann Edition Copenhagen
–Presentimiento. Doblinger Verlag Vienna
–Tres Momentos Microtonales. Bergmann Edition Copenhagen
–Tambores y Tamboras. Joachin Trekel Verlag Hamburg
–The golden Sunbird. Bergmann Edition Copenhagen
–The Noble Truths. Verlag Neue Musik Berlin
–Tres Tristes Trios. Verlag Neue Musik Berlin
–Unfantasy me. Da Vinci Edition Osaka
CD's
-“Arvoles yoran por luvyas” for Mezzosoprano and Chamber Ensemble. Maria Hegele and Ensemble Acrobat. “Erinnern für die Zukunft”. IG Komponisten Edition, Austria.
-“Aufs Paradies”, (Portrait CD). Yvonne Zehner (Guitar), Peter Baumgardt (Speaker), Andronikos Karamperis (Guitar), Noiz Guitar Duo and Athenaeum Guitar Trio. Coproduction with Festspiele Europäische Wochen Passau, Germany.
-“Caged Music II” for 2 Guitars. Noiz Guitar Duo. KSG Publishing, Germany.
-“Caged Music II” for Violin and Guitar. Roncesvalles Duo. Abu Records, Iceland.
-“Cuestionart” for Guitar Quartet. Kharkov Guitar Quartet (“Quatrology”). OE, Ukraine
-“Dos Sonetos” for Mezzo-soprano and microtonal Guitar. Gertraud Steinkogler- Wurzinger and Yvonne Zehner. Uni Mozarteum Records, Austria.
-“Duerme Tesoro” for Mezzo-soprano, Violin and Guitar. Gudrun Olafdottir and Roncesvalles Duo. Abu Records, Iceland.
-“Il Velo di Iside” for microtonal Guitar. Giacomo Fiore. Spectropol Records, USA.
-“Inanna”, (Portrait CD). Ensemble Danuvius (Yvonne Zehner, Guitar; Walter Zauner, Trombone; Basil Coleman, Harpsichord. Zay Records, Germany.
-“Landschaft am See mit Kometen” for Flute, Violoncello and Guitar. Gunnar Berg Ensemble, Edition 7, Austria.
-“Nostalgia” (Portrait CD). Katharina Schwarz (Soprano), Bernd Lambauer (Tenor), Yvonne Zehner (Guitar), Barbara Blumenstingl (Flute). Zay Records, Germany.
-“Once” and “Preludio und Postludio” for solo Guitar. Detlev Bork. La mà de guido, Spain.
-“Perseiden” for solo Guitar. Aaron Larget-Caplan. New Lullaby Project Vol. 2. ALCGuitar, USA.
-“Preludio para antes de la Música“ und „Danza”, for Guitar Quartet. Mexican Guitar Quartet. Victoria Records, Mexico.
-“Sakura“ und „Tres Momentos Microtonales”, for microtonal Guitar. Joseph Mirandilla. Zay Records, Germany.
-“Suite Veleña” for solo Gitarre. Jeff Copeland. OE, USA
DVD's
-“Unfantasy me!” for String Quartet. Acrobat Ensemble. “20 Jahre IG Komponisten” University Mozarteum Productions, 2012, Austria.
-“Höre, so lebt deine Seele” for Choir. Belcanto Chor Salzburg. “Nacht der Komponisten 2012” University Mozarteum Productions, 2013, Austria.
Bibliography
-Aguzzi, Andrea. Interview with Agustin Castilla-Avila. Neuguitars Blog, July 2017 https://neuguitars.com/2017/07/07/interview-with-agustin-castilla-avila-july-2017-on- neuguitars-blog/
-Bartos, Katarzyna: “Zakomponowac”. In Sound Ambiguity 2. Wroclaw, 2015.
-Bartos, Katarzyna: “Musical still lifes by Agustín Castilla-Ávila” Fonochromie Blog, June 2021 https://fonochromie.wordpress.com/2021/06/15/musical-still-lifes-by-agustin- castilla-avila/?fbclid=IwAR0RDDjtUHeMUNVW5e25abxFPtD- fpDJvjz4GyhPZmn9XNS_FEKDtL-EkVM
-Castilla-Ávila, Agustín: “Agustín Castilla-Ávila on his music”. In Collegium Musicum Magazine Lviv, Ukraine. Collegium Musicum, December 2015 https://collegiummusicum.com.ua/en/statti-chasopys-a/english-agustin-castilla-avila-on- his-music/
-Castilla-Ávila, Agustín: Instrumental Techniques’ Interchange : On Processes of Importing and Exporting Techniques in the Composition and Performance of Contemporary Music. Paris Lodron Universität Salzburg and Universität Mozarteum Salzburg, 2022. https://eplus.uni-salzburg.at/obvusbhs/download/pdf/8239512?originalFilename=true
-Castilla-Ávila, Agustín: Microtonal Scordatura in the Guitar Works of A. Castilla-Ávila (1996-2021). Vortex Music Journal | ISSN 2317–9937 | 2022. | http://vortex.unespar.edu.br/
-Castilla-Ávila, Agustín: “Microtonality on the Guitar: Castilla-Ávila´s 36 Divisions of the Scale”. In Sound Ambiguity 3. Wroclaw, 2016.
-Castilla-Ávila, Agustín (Editor): Mikrotöne: Small is beautiful, Volume 1 Mackingerverlag, Bergheim 2019.
-Castilla-Ávila, Agustín (Editor): Mikrotöne: Small is beautiful, Volume 2 Mackingerverlag, Bergheim 2019.
-Castilla-Ávila, Agustín (Editor): Mikrotöne: Small is beautiful, Volume 3 Mackingerverlag, Bergheim 2021.
-Castilla-Ávila, Agustín (Editor): Mikrotöne: Small is beautiful, Volume 4 Mackingerverlag, Bergheim 2023.
-Castilla-Ávila, Agustín und Heigl, Isabella: “NEVERENDINGARTIST: A transdisciplinary Classification Proposal”. In The 21st Century Guitar Conference. University of Denver, 2022 (in preparation).
-Castilla-Ávila, Agustín und Heigl, Isabella: “NEVERENDINGARTIST: Una propuesta para una clasificación transdisciplinaria”. In I Coloquio Internacional Expresiones Contemporáneas: artes sonoras, inter y transdisciplina, Volumen 1. Revista ARIS. Mexico, 2022 (in preparation).
-Castilla-Ávila, Agustín: “New Sounds on the Guitar”. In Proceedings of the 21st Century Guitar Conference. University of Denver, 2022.
-Castilla-Ávila, Agustín: Still-Leben mit Stille/Still Life with Silence. Mackingerverlag, 2018.
-Castilla-Ávila, Agustín: Still Life with Silence. Vortex Music Journal V. 10 N. 2 (2022) | ISSN 2317–9937. | http://vortex.unespar.edu.br/
-Castilla-Ávila, Agustín: “The Guitar and the instrumental Techniques’ Interchange”. In
Sound Ambiguity 4. Wroclaw, 2018.
-Castilla-Ávila, Agustín: “The Guitar and the microtones”. In Mikrotöne: Small is beautiful, Volumen 1. Mackingerverlag, 2019.
-Castilla-Ávila, Agustín: “The Value of Music and the Value of Silence”. In Research on Contemporary Composition Conference. University of North Georgia, 2017.
-Castilla-Ávila, Agustín: “The Value of Music and the Value of Silence”. In Sound Ambiguity 4. Wroclaw, 2019.
-Castilla-Ávila, Agustín: “Writing Microtones for Guitar”. In Microtonal Music in Central and Eastern Europe Historical Outlines and Current Practices. Ljubljana University Press, 2020.
-Gratzer, Wolfgang, “Vorgesehen und nicht vorgesehen, gehört und nicht gehört: Castilla-Ávilas Performance «Disintegration und Integration» (2014)”. In Neue Zeitschrift für Musik. #6_2018. Mainz 2018.
-Gratzer, Wolfgang, “Über musikalische Polyciopie und Demokratisierung, Agustín Castilla-Ávila (Salzburg) im Gespräch mit Wolfgang Gratzer”. In Proben-Prozesse. Br: Rombach Freiburg 2018.
-Hassfurther, Christa, “Orpheus kontra Pan. Praxisbezogene Überlegungen zur Entwicklung eines Bühnenkonzepts am Beispiel Strings von Agustín Castilla-Ávila”. In Phoibos Zeitung für Zupfmusik. #2_2008. Passau 2008.
-Heigl, Isabella and Castilla-Ávila, Agustín, NEVERENDINGARTIST: With Dylan on the Road. Mackingerverlag, 2022.
-Jewanski, Jörg and Düchting, Hajo. Musik und Bildende Kunst im 20. Jahrhundert: Begegnungen, Berührungen, Beeinflussungen. Kassel University Press, 2009.
-Jedrzejewski, Franck. Dictionnaire des Musiques microtonales. Editions L’Harmattan. Paris 2014.
-Márquez Vázquez, Juan Manuel: “Suite of Movements de A. Castilla-Ávila: movimiento, emoción y recursos sonoros”. Vortex Music Journal V. 10 N. 2 (2022) | ISSN 2317–9937. | http://vortex.unespar.edu.br/
-Melcher, Iris: “Porträt-Interview: Agustín Castilla-Ávila”. In Gitarre Aktuell 2011, No. 4, (115).
-Schneider, John: The contemporary guitar, Rowman & Littlefield Publishers, 2015.
-Trianov, Maksym: «Microtonality in the Ensemble Works of Agustín Castilla-Ávila» (МІКРОТОНОВІСТЬ У ТВОРАХ ДЛЯ ГІТАРНОГО АНСАМБЛЮ АГУСТІНА КАСТІЛЬЯ-АВІЛИ). In Культура України. Kiew, 2023.
-Werner, Bradford: Spotlight: Agustín Castilla-Ávila, composer, https://www.thisisclassicalguitar.com/spotlight-agustin-castilla-avila-composer/
-Zauner, Walter: Das Lied Inannas: Ekmelic Music for Trombone & Guitar by Agustín Castilla-Ávila. Masters Dissertation Anton Bruckner Private University, 2021.
At Bergmann Edition:
https://bergmann-edition.com/collections/agustin-castilla-avila
At Doblinger Verlag:
http://www.doblinger-musikverlag.at/Unterricht/cmp_detail.php?compID=389&sp=1
At Da Vinci Edition:
https://davinci-edition.com/composer/agustin-castilla-avila/
At Verlag Neue Musik:
https://www.verlag-neue-musik.de/verlag/index.php?manu=m728_Castilla–vila–Agust-n.html
At Mackinger Verlag:
https://www.mackingerverlag.at/autoren-2.html
At Joachim Trekel Verlag: